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Longform improvisation : ウィキペディア英語版
Improvisational theatre

Improvisational theatre, often called improv or impro, is a form of theater where most or all of what is performed is created at the moment it is performed. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script.
Improvisational theatre exists in performance as a range of styles of improvisational comedy as well as some non-comedic theatrical performances. It is sometimes used in film and television, both to develop characters and scripts and occasionally as part of the final product.
Improvisational techniques are often used extensively in drama programs to train actors for stage, film, and television and can be an important part of the rehearsal process. However, the skills and processes of improvisation are also used outside of the context of performing arts. It is used in classrooms as an educational tool and in businesses as a way to develop communication skills, creative problem solving, and supportive team-work abilities that are used by improvisational, ensemble players. It is sometimes used in psychotherapy as a tool to gain insight into a person's thoughts, feelings, and relationships.
==History==
The earliest well documented use of improvisational theatre in Western history is found in the Atellan Farce of Rome circa 391 BC. From the 16th to the 18th centuries, ''commedia dell'arte'' performers improvised based on a broad outline in the streets of Italy. In the 1890s, theatrical theorists and directors such as the Russian Konstantin Stanislavski and the French Jacques Copeau, founders of two major streams of acting theory, both heavily utilized improvisation in acting training and rehearsal.〔''Twentieth Century Acting Training''. ed. Alison Hodge. New York: Routledge, 2001.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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